My practice is rooted in the desire to translate fluidity into form — to capture the feeling of a fold, a breath, or a gesture held in time. I build each piece slowly and intuitively, shaping clay as if it were soft textile, coaxing it into curves, ridges, and draped silhouettes.

I let the work evolve through touch and response rather than rigid planning. The clay tells me where it wants to go; I follow. Light plays a central role in my process — the shifting shadows, the subtle glow on a carved edge, the quiet drama that reveals itself as the day moves.

I am drawn to the tension between softness and solidity, to forms that feel both grounded and weightless. My surfaces are left raw or minimally finished so the tactile honesty of the material stays present. Each piece is built slowly, shaped by hand, and one of a kind.

From my studio in San Francisco, I continue to explore how movement, intuition, and organic irregularity can be held within a single form. My work is an ongoing study in presence, fluidity, and the quiet poetry of clay.